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Curated by Ryan Doyle and Mark Edwards, who work together under the name of DR.ME, Cut That Out focuses on the compositions of 50 leading designers and studios from 15 different countries for whom collage has been the key to creating vibrant, effective work – among them Hort, Paul Sahre and atelier bingo. As well as the diverse, cutting-edge work featured throughout, each profile includes a Q&A with the artist that serves to both put the work in context and highlight the visual differences between each designer by exploring their varying methods and attitudes towards to Cut That Out is a rich seam of inspiration to be mimed by all students and graphic designers who wish to explore the creative possibilities of collage in their work.

Toegepaste grafiek.

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Raffael (1483–1520) zählt zu den herausragenden Künstlern der Renaissance. Mit seinen Werken setzte er nicht nur für seine Epoche, sondern für Jahrhunderte die Maßstäbe der europäischen Kunst. In einer umfassenden Ausstellung geht die Hamburger Kunsthalle der einzigartigen Wirkungsgeschichte dieses faszinierenden Künstlers nach. Eine herausragende Rolle spielt dabei die Reproduktionsgrafik, doch trugen auch Zeichnungen, Gemälde und Fotografien zur Popularisierung des Künstlers bei. Ausführlich dargestellt wird auch die vielschichtige Verehrung des Künstlers, die Raffael im 19. Jahrhundert zu einem göttlichen Heros der Kunst (il divino) werden ließ. --Michael Imhof Verlag

Raphael --- 76 RAPHAEL --- 76 <45> --- 76 <45> Grafische kunsten. Grafiek. Prentkunst--Italië --- Grafische kunsten. Grafiek. Prentkunst--Italië --- 76 RAPHAEL Grafische kunsten. Grafiek. Prentkunst--RAPHAEL --- Grafische kunsten. Grafiek. Prentkunst--RAPHAEL

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The significance of the media and communications revolution occasioned by printmaking was profound. Less a part of the standard narrative of printmaking's significance is recognition of the frequency with which the widespread dissemination of printed works also occurred beyond the borders of Europe and consideration of the impact of this broader movement of printed objects. Within a decade of the invention of the printing press, European prints began to move globally. Over the course of the fifteenth to the eighteenth centuries, numerous prints produced in Europe traveled to areas as varied as Turkey, India, Persia, Ethiopia, China, Japan and the Americas, where they were taken by missionaries, artists, travelers, merchants and diplomats. This collection of essays explores the transmission of knowledge, both written and visual, between Europe and the rest of the world by means of prints in the Early Modern period.

E-books --- 76 <4> --- 76 "14" --- 76 "15/17" --- 76 "15/17" Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- 76 "14" Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- 76 <4> Grafische kunsten. Grafiek. Prentkunst--Europa --- Grafische kunsten. Grafiek. Prentkunst--Europa --- Graphic arts --- History of civilization --- books --- prints [visual works] --- cultural diffusion --- anno 1500-1799 --- Prints --- Art and society --- History. --- Technique. --- boekdrukkunst --- Technique

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76 <43> "16" --- 76 TROSCHEL, HANS --- 76 TROSCHEL, PETER --- 76 <43> "16" Grafische kunsten. Grafiek. Prentkunst--Duitsland voor 1945 en na 1989--17e eeuw. Periode 1600-1699 --- Grafische kunsten. Grafiek. Prentkunst--Duitsland voor 1945 en na 1989--17e eeuw. Periode 1600-1699 --- Grafische kunsten. Grafiek. Prentkunst--TROSCHEL, HANS --- Grafische kunsten. Grafiek. Prentkunst--TROSCHEL, PETER

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Plump apricots, juicy mangoes, crisp lettuce. We're used to seeing close-up photographs of beautiful fruits and vegetables in cookbooks and garden guides. But these detailed illustrations of fruit and vegetables, as viewed through eighteenth-century eyes, are something very different—and more interesting. Thanks to intrepid explorers and plant-hunters, Britain and the rest of Europe have long enjoyed a wide and wonderful array of fruit and vegetables. Wealthy eighteenth-century households even created orangeries and glasshouses for tender exotic plants and special pits in which to raise pineapples. Tomatoes, sweetcorn, and runner beans from the New World expanded the culinary repertoire. In the 1730s, a prosperous Bavarian apothecary, Johann Wilhelm Weinmann, produced the first volume of a comprehensive index of all available plants, meticulously documented and lavishly illustrated by botanical artists. A Cornucopia of Fruit & Vegetables is a glimpse into Weinmann's world. It features exquisite illustrations of the edible plants in his historic treasury, allowing us to enjoy the sight of swan-necked gourds and horned lemons, smile at silkworms hovering over mulberries, and delight at the quirkiness of plants like "strawberry spinach." This volume is a delicious medley of garden produce and exotics that will capture the imagination of gardeners and art-lovers alike.

76 <43> "17" --- 76 <43> "17" Grafische kunsten. Grafiek. Prentkunst--Duitsland voor 1945 en na 1989--18e eeuw. Periode 1700-1799 --- Grafische kunsten. Grafiek. Prentkunst--Duitsland voor 1945 en na 1989--18e eeuw. Periode 1700-1799